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Archie Camden (9 March 1888 – 16 February 1979) was a British , a pedagogue and soloist who won international acclaim. In 1968 The Times said "If the bassoon is no longer considered to be the orchestra's clown, its rehabilitation is the result of Mr Camden's work as an orchestral player, soloist and teacher".'Archie Camden 80 Today', in The Times, 9 March 1968, p. 19


Early career and orchestras
Camden was born in . He initially attracted attention as a pianist, joining the Royal Manchester (now Northern) College of Music at the age of 14 - but through Hallé Orchestra director Hans Richter he soon won the first bassoon scholarship, despite having played the bassoon for only a week prior to the audition.'Archie Camden', obituary, The Daily Telegraph, 20 February 1979, p. 14 At the RNCM he studied with (piano) and Otto Schieder (bassoon).Obituary, The Musical Times, Vol. 120, No. 1634 (April 1979), p. 331
(1971). 9780719004353, Manchester University Press. .
In 1906 he joined Schieder at the Hallé, replacing him as principal bassoon in 1914.

These were the Hallé's most famous days, the era of Richter, and .'Mr Archie Camden', obituary, The Times, 16 November 1979, p. 29 Harty in particular became a lifelong friend. During this period Camden also played with the Liverpool Philharmonic. In 1933 he moved to the BBC Symphony Orchestra under , where he stayed until 1946 when - at the urgent request of Beecham - he became a founder member of the Royal Philharmonic Orchestra. There was also a spell at the Covent Garden Opera Orchestra.William Waterhouse. 'Camden, Archie Archibald (Leslie)', in Grove Music Online (2001)


Teaching
As a teacher, he was a professor of the bassoon at the Royal Manchester College of Music from 1914 to 1933; he later taught at the Royal College of Music in London. His most famous students included , Michael Chapman, and William Waterhouse. Camden was the first prominent British bassoonist to change from the French bassoon to the smoother, more dry-toned German or Heckel Bassoon.Basil Tschaikov. The Music Goes Round and Round (2006), Ch. 17 He also cultivated a more restrained vibrato. In 1962 he published his book Bassoon Technique. Archie Camden. Bassoon Technique, Oxford University Press (1962)

He also worked extensively with amateur musicians, most famously conducting the London Stock Exchange Orchestra - but also with the Manchester Orchestral Society, the Bolton Orchestral Society, the Burnley Orchestral Society and the Beethoven Society of Manchester before his move down to London.


Concerts and recording
After years of extensive touring as a recitalist, chamber music player, broadcaster and lecturer, and seasons with and the Bath Festival Chamber Orchestra, Camden's last post as an orchestral player was with the London Mozart Players, which he joined in 1958. He stayed until 20 March 1968, when the orchestra put on an 80th birthday concert at the Royal Festival Hall, including a performance of the Mozart Bassoon Concerto.

(in 1931) and (in 1947) wrote concertos for Camden, while composed the Threnody and Scherzo for him in 1936. 's Trio for oboe, bassoon and piano was written for the Camden Trio (with Evelyn Rothwell, oboe and Wilfrid Parry, piano), and first broadcast by the Trio in July 1957. Https://genome.ch.bbc.co.uk/page/f09ef6a14a8c47039b502851cc7ab817" target="_blank" rel="nofollow"> Radio Times, Issue 1756, 7 July 1957, p. 34

Camden was also one of the first bassoonists to experiment with recording. His recordings of the Mozart Bassoon Concerto - a piece he helped rescue from relative obscurity - still remain popular today. He recorded the piece several times - most notably in March 1926 with Hamilton Harty conducting,Columbia 67328-D - 67330-D, Masterworks Set No. 71 (78 RPM) then in 1956 with and the London Mozart Players.HMV DLP1153 (1956), reissued on Forgotten Records FR1371 (2018) Another signature piece was his arrangement for bassoon and orchestra of the Jean-Baptiste Senaillé Allegro spirito, which he recorded in 1927. Columbia L 1826 (1927), Hallé Orchestra, cond. Hamilton Harty


Personal life
Camden married his first wife Annie Clarice Dunington, a violinist playing with the Hallé Orchestra, in 1914. They divorced in 1934. 'Clarice Dunington', Trailblazing Women of Trafford virtual exhibition His second wife was Helen Joyce (Jan) Kerrison, a cellist, composer, accompanist and arranger. During the war the couple moved to follow the BBC Symphony Orchestra, first to Bristol and then, once the air raids became too severe, to Bedford. In the 1950s their address in London was Flat 30, Queensborough Court, . Together they wrote the educational handbook How to Choose an Instrument: Woodwind and Brass.Archie Camden, Jan Kerrison. How to Choose an Instrument: Woodwind and Brass, Fountain Press (1953) By 1969 - the year he was awarded an OBE - they were living at The Priory in , London N 20. Who's Who in Music, 1950 and 1969 editions Camden died at the age of 90 in , Hertfordshire.

An autobiography, Blow by Blow (with a foreword by Yehudi Menuhin) was completed just before his death, then prepared for publication posthumously by his wife Joyce. Blow by Blow: the memories of a musical rogue and vagabond, Thames Publishing, London, 1982

Their two sons both went onto to become wind players, both studying at the Royal College of Music: Kerry (bassoon, 1936-2010) and (oboe, 1938-2006).


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